Recently we drove to an outlet mall in Illinois to get my “new” Showcard Press. That is, we arranged to meet the seller at the mall parking lot, pulled around the back, carried/lugged the press from one truck bed to the other, exchanged cash and some history about the press, then each drove away. Continue reading
Contemporary Animal Imagery
Also showing New Artists, New Work
Opening reception 5-9pm this Fri, Mar. 4.
More info, directions to gallery, etc at Artisan Gallery website.
The story behind this scene (or what happened afterwards)
For this folio exchange, Hand, Eye, Bird, I took the literal approach (as usual). In fact this image is the first thing I thought of when I read about this folio. For me, there is no stare more intense than a predator focusing on it’s prey, and although that was not my intent (to feed a helpless, cute little chick to Dexter), it was clearly Dexter’s.
As you can read in the print, The handbook said…, I am doing just what is recommended, showing Dexter one of the chicks (out of the box full of chicks that I just brought home from the post office). I am telling Dexter: “Gentle, good boy!…Mama’s chick…gentle…good boy!….” which I’m sure he translated to “Blah, blah, blah good boy, blah, blah, blah, blah, blah, good boy….” (I now realize that I was praising him for staring, “pointing” and anticipating the kill as he trembled with anticipation). He is vibrating here (as little terriers do), eyes growing wider and wider. What you don’t see in the print, is the split second after…. Suddenly, in the blink of an eye, Dexter had the chick’s head in his mouth! “NO!! Dexter!!! BAD boy!!!!” I shouted, and in the next instant, Dexter had opened his mouth and the chick’s head popped out (chick wasn’t harmed), and then Dex was cringing and trembling with fright that I’d yelled at him (which is SO Dexter). It all happened in seconds–so fast that the chick didn’t even blink an eye or register the fact that it was almost swallowed alive.
Another typical vignette of life on our farm. It is never boring when you live with terriers.
Another folio for one of Melanie Yazzie’s organized folio exchanges. This one called “A Circle of Print.” In love (still) with my Corn King character, I worked him into the piece. Specs: 8″ x 20″ print, to fold down to 8″ x 10″—an edition of 20:
Ran screaming around the house when I found out this morning via email. Dogs wagging tails, but looking concerned, until they realized I was ok. Ivan (the Pyr, the guardian of all), plunked down in my computer room to keep an eye on the situation to be sure I was alright…. I made it in Birds in Art this year. Can’t believe it. Only made it once before with On the Run in 2005, and I submit work almost every year (since 2002). Anyway, the relief-printed pull-toys made it in this time–that’s why I’m so excited–it isn’t the medium I usually submit to Birds in Art.
For those who aren’t familiar with this event, Birds in Art is an international, juried show they hold every year up in Wausau (WI) at the Leigh Yawkey Woodson Art Museum. There really are wildlife artists from all over the world who come to the opening celebrations, so it’s a pretty amazing event. Every year, many of the Master Wildlife Artists from years past show up, so it’s really thrilling to meet them in person. Some of the Master Wildlife Artists from years past have been Carl Brenders, Robert Bateman, Guy Coheleach, Maynard Reece, and many others (including Owen Gromme in 1976–the first year). Andrea Rich was the Master Wildlife Artist in 2006, and she is one of my all-time favorite woodcut artists–really incredible work.
So, Back in the Day, Poultry Edition will be at the Leigh Yawkey Woodson Art Museum for this year’s Birds in Art Exhibit, opening weekend Sept. 11, 12. Public opening on Saturday, Sept. 11, details to follow at my exhibits page.